Parting Ways, Ending with Geisert

Parting Ways, Ending with Geisert

One thing that I thoroughly enjoy, both in a professional and creative way, is writing. I’ve been lucky enough to have had several opportunities for writing here at DuMA.
I was assigned the project of writing an interpretive panel for the Arthur Geisert display cases on the second floor of the museum, relating his body of work to rural Midwest and agriculture. Not only was I excited to write, but also to learn more about an artist so prevalent and cherished at the museum. Arthur Geisert, an etcher who has illustrated countless children’s books, is incredibly influenced by rural Midwest. As a transplant to the Midwest, we’ve clearly left quite the impression on him. After reading through several of his books, and noticing the stark impressions of the Midwest within his work, I began the task of writing.
Initially, I wanted to think about who was going to be reading this panel, and I quite simply sorted readers into Midwesterners and Non-Midwesterners. I wanted to play off of Midwesterners’ nostalgia as well as be descriptive enough to have a visceral experience for the Non-Midwesterners. I like to use a lot of pathos in writing because I believe appealing to reader’s emotions can be a very powerful tool when attempting to connect readers to whatever it is you’re writing about. Once I knew how to approach the writing, I researched Geisert’s biography and body of work, which included reading several of his books. I looked for things that I personally connected with as a Midwesterner. After constructing a draft, I asked for feedback from DuMA staff, and applied their helpful input into the final write-up. I’m excited to be contributing to the interpretive content at the museum!
Now  it’s time for me to part ways with the museum, as I’ll be presenting my internship experience has my final project for my Museum Studies program, and *fingers crossed* graduating with a Master’s degree in the next couple of weeks. Writing about Geisert’s work was a wonderful end to the many incredible things I worked on here at Dubuque Museum of Art.
By Katherine Hellberg, Intern at Dubuque Museum of Art

Maybe it’s in the Water, Mississippi Musings

Maybe it’s in the Water, Mississippi Musings
Growing up just outside the Quad Cities, in a tiny rural town, I often felt the rest of the world was outside my reach, and I’d never surface from the waves and waves of corn. I think I’d learned to resent my Midwestern roots because I’d been told the most exciting culture and art were on the coasts of the States. Since immersing myself into the museum field, I’ve grown to appreciate and fervently stand by the need for art museums in Midwestern communities, and how the Midwest fosters incredible talent and creativity. The Figge Art Museum, located in Davenport, IA, has one of the largest collections of Haitian art in the country, right there in my own community. That’s just one of several fantastic museums located in my home, and the culture and art has always been there. The last thing I want is for everything to be condensed and concentrated on the coasts. We need art here, and everywhere.
Since beginning my internship here in Dubuque, I’ve sensed a feeling of home here. DuMA, like the Figge or any Midwestern art museum, is a treasure within the community. Whether it be an exhibition opening or an event, you see familiar faces celebrating art. Like the Quad Cities, Dubuque is an old river community, with a rich history and so many stories to tell. The people are kind and nobody feels like a stranger. I think that’s one of my favorite parts of growing up in the Quad Cities- you’re not just a face in the crowd, you’re a friend, and if you have but one thing in common, it’s your home by the Mississippi. Maybe it’s the people that make the Midwest so special. Or maybe it’s in the water.
By Katherine Hellberg, Intern at Dubuque Museum of Art