curating

Parting Ways, Ending with Geisert

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Parting Ways, Ending with Geisert

One thing that I thoroughly enjoy, both in a professional and creative way, is writing. I’ve been lucky enough to have had several opportunities for writing here at DuMA.
I was assigned the project of writing an interpretive panel for the Arthur Geisert display cases on the second floor of the museum, relating his body of work to rural Midwest and agriculture. Not only was I excited to write, but also to learn more about an artist so prevalent and cherished at the museum. Arthur Geisert, an etcher who has illustrated countless children’s books, is incredibly influenced by rural Midwest. As a transplant to the Midwest, we’ve clearly left quite the impression on him. After reading through several of his books, and noticing the stark impressions of the Midwest within his work, I began the task of writing.
Initially, I wanted to think about who was going to be reading this panel, and I quite simply sorted readers into Midwesterners and Non-Midwesterners. I wanted to play off of Midwesterners’ nostalgia as well as be descriptive enough to have a visceral experience for the Non-Midwesterners. I like to use a lot of pathos in writing because I believe appealing to reader’s emotions can be a very powerful tool when attempting to connect readers to whatever it is you’re writing about. Once I knew how to approach the writing, I researched Geisert’s biography and body of work, which included reading several of his books. I looked for things that I personally connected with as a Midwesterner. After constructing a draft, I asked for feedback from DuMA staff, and applied their helpful input into the final write-up. I’m excited to be contributing to the interpretive content at the museum!
Now  it’s time for me to part ways with the museum, as I’ll be presenting my internship experience has my final project for my Museum Studies program, and *fingers crossed* graduating with a Master’s degree in the next couple of weeks. Writing about Geisert’s work was a wonderful end to the many incredible things I worked on here at Dubuque Museum of Art.
By Katherine Hellberg, Intern at Dubuque Museum of Art

Interns Don’t Fetch Coffee

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Interns Don’t Fetch Coffee

I have been lucky enough to have had assisted with lots of different tasks and projects here at DuMA as a curatorial intern, and no, I don’t go on coffee runs. Though, let’s be real, I would probably oblige, because the typical working and/or studying Millennial can’t always afford to say no. But I digress. That’s something I find exciting about the smaller institutions, while at times it can be demanding and stressful, often you’re helping with the many different happenings at the museum. From installations, to recording gallery audio guides, to exhibition planning… to even this blog! I’ve had the opportunity to learn so much, and that’s what has made my internship so fruitful.

Therefore, internships are entirely essential for Museum Studies students, and most students, for that matter. This real-world experience cannot be replicated in a classroom. In the classroom, I’ve learned about the theory of the museum experience and visitor motivations, but how do I consider these ideas when I’m writing about Charles Thwaites’ artistic influences, and I need to concisely include interesting points, that are not only related to the content in the exhibition, but are in a language that many walks of life will understand and want to listen to when they phone in to the audio guides? Application. Internships not only exercise the muscles students have tirelessly been developing in the classroom, they also gather the experiences they will need when venturing out into the world looking for a job.

Stacy Peterson (Associate Curator and Registrar) and Paul Opperman (Preparator and Bootmaker) at one of the many Craft meetings, intently looking at a draft of the exhibition layout.

Now that my time at DuMA is approaching the end, one of the final bigger projects I’ve been assisting with is the early stages of exhibition planning for the upcoming Craft Invitational. It has been an interesting insight into the conceptualization of an exhibition, selecting artists, editing object checklists, and brainstorming programming ideas. As a wannabe curator, I anticipate this kind of organizing in future projects, and while school has been preparing me for the field, it couldn’t have prepared me in a way quite like this project has. Artist and object checklists, I’ve come to learn, are essential, and one of my tasks during this project has been to constantly edit the exhibition checklists with new or changing information. Not only do they keep things organized for the curator’s benefit as well as the artist’s benefit, but they also allow for the curator to become familiarized with the artist’s work and the objects to be exhibited prior to them physically being present at the museum. Also, one thing I’ve always believed, and have witnessed during this project, it to utilize the expertise of others. The co-curators, artists themselves, relay their knowledge of craft and how craft is presented in gallery spaces. These are just a couple of things I’ve encountered during this project, and it has been so incredibly exciting to watch the exhibition come to fruition.

Be sure to keep an eye out for Handmade Craft Invitational that’ll be exhibited from June 2 to September 9, 2018!

By Katherine Hellberg, Intern at Dubuque Museum of Art

Intro to the Intern

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Intro to the Intern

My name is Katherine Hellberg, and I’ve been interning at Dubuque Museum of Art since January of this year. My journey to arriving at DuMA isn’t all that different from how I would expect a lot of art enthusiasts end up in the museum world. When I was little, I thought I’d grow up to be an artist for sure. Art was an important mode of relaying the thoughts I found so difficult to express out into the world. As I got older, I realistically didn’t see myself becoming a working artist, but I still wanted art in my life. So, if I wasn’t going to make art, I wanted to work with art. I went on to study Art History at Illinois State University and had my first taste in curating student shows. Currently, I’m finishing up my MA in Museum Studies at Western Illinois University – Quad Cities. My primary career aspiration is to be an art curator whose practice is always conscious of inclusivity, is transparent and truthful, and possesses the upmost integrity. I would also like to be involved with or create an LGBT youth arts program at some point in my career. Working in art museums allows me the opportunity to expose the world to individuals whose talents, stories, and messages are so incredibly extraordinary, and I find that to be a privilege.

As a Museum Studies graduate student, internships, or any mode of hands-on work, are really essential for gathering the experience I need for developing myself as a young museum professional. It’s also a great way to dip my toes into different areas of the field and discover what work I really connect with. I’m interested in working at a smaller or medium sized art museum, so being an intern at DuMA has allowed me the opportunity to wear lots of hats, which is often necessary at smaller institutions.

By Katherine Hellberg, Intern at Dubuque Museum of Art